New/Old Picture of Rob in Colombia After Wrapping 'The Lost City of Z'

Our special guests at #VillaMariaTayrona from #KaliHotels! #RobertPattinson

Source | Via

New Rob Interview in F Magazine - Scans + Translation

Translation under the scans. Some quotes sound a little "weird", probably lost in translation.



Translation


Scans | Translation | Via

New Pictures of Rob on 'The Lost City of Z' Set in Colombia

According to the source the picture was taken yesterday (October, 30) right after they were done filming.



ETA: A few more pictures posted from Colombia. - a couple probably from October 30 (sans beard) and the other probably taken during filming.



Finish The lost city of Z #RobertPattinson gran experiencia
#RobertPattinson #VillaMaria #ThansYouMan #TheLostCityOfZ #SeeYouSoon #ThatAmazingPerson #IsMyWork #YouKnow

And one more picture from October 30. Here what Adam had to say about Rob:

I should maybe mention the scene was with Charlie Hunnam too but he still had another shot to finish so I missed out on a pic with him unfortunately! Rob is a very cool dude and super chilled, moments before this he had a massive beard but he couldn't wait to shave it off!


Source | Via
Source | Source | Thanks to @DiarioTwilight for the heads up!
Source

New Pictures of Rob as Henry Costin for The Lost City of Z

ETA: A new picture of Rob on set


Source | Via | Source | Via

The Lost City of Z in SoFilm Magazine - On Set Pictures and Interviews (No Rob, But Lots of Rob Mentions)

New Picture and Video of Rob on the Set of The Lost City of Z in Colombia

Thanks to Diario Twilight

New Pictures and Video of Rob Arriving in Colombia - October 1st

Rob is in Colombia for The Lost City of Z

New Rob Interview With The Irish Times

Once best known as the undead teen Edward in the Twilight series, Robert Pattinson is slowly but surely reinventing himself – from broody cutie-pie to go-to leading man.

Stormont may be in crisis and regional unemployment rates do not make for happy reading, but at least Northern Ireland can boast – albeit temporarily – one Robert Pattinson.

Last month, the former Twilight and Harry Potter star delighted two Co Down newlyweds when he agreed to join their wedding hooley. He also hit Cypress Avenue to mark Van Morrison’s 70th birthday, and has been deemed a most excellent sport when it comes to Belfast-based autograph and selfie hunters.

Even by Pattinson’s own account, the sun shines just a little more intently when he graces the northeast: “It’s been sunny every time I’ve been here,” marvels the heavily bearded young actor. “They tell me it rains. But I haven’t seen it.”

Pattinson has decamped to Ulster with a purpose. Following in the footsteps of Game of Thrones and the incoming Dad’s Army reboot, James Gray’s The Lost City of Z is the latest major production to shoot across various Northern Irish locations, including Methodist College, Strangford Lough and Craigavon House. Not that Pattinson has spent too much time in these stately locations. “I have mainly been on the boat that’s falling apart,” he laughs.

The Lost City of Z charts the exploits of the British explorer Percy Fawcett who, in 1925, disappeared in the Amazon while looking for an ancient lost city. In the subsequent years, as many as 100 explorers and scientists have gone missing while attempting to find evidence of Fawcett’s party.

Rob On The Cover Of NME Magazine - New Interview

Click to read. Thanks to Verena for the scans :)

New Rob Interview with The Times UK

Click to read, really good interview.


Scans | Via

New Picture of Rob on the Set of 'The Lost City of Z' - September 18th

Source | Via

New Picture of Rob Filming 'The Lost City of Z' Last Week

ETA: Added HQ/Untagged (same pic cropped a few times)

Rob on The Cover of Les Inrocks (France) - New Interview and HQ Scans

Translation under the scans

Thanks so much to Verena for sending the HQ scans to us ❤️❤️❤️



Translation

‘I often need to hear I am legitimate’

They’d end of the Twilight era, his independence desires in Hollywood, his directing desires, his French cinemas envies after the aborted project with Olivier Assayas and before his next film with Claire Denis: Robert Pattinson makes his career assessment.

May 2012: Robert Pattinson steps for the first time on the red stairs of the Cannes Festival, where he accompanied the presentation in official competition the movie COSMOSPOLIS by David Cronenberg. A decisive step in the star’s course, who was leading towards prestigious Indy movies and ended his teens idol image, marked by the unloved TWILIGHT franchise.

Three years later, the transformation seems almost complete: the media hysteria he was surrounded by seem to have calmed down a notch, he went from poster boy to hipster icon, as he follows his radical and sharpened filmography. With David Cronenberg (Maps to the Stars, in an Australian thriller (THE ROVER, by David Michôd), or even in a small part with Werner Herzog (QUEEN OF THE DESERT), he definitely left the mainstream productions and asserted himself as an XXL actor, new embodiment of Indy movies with fire powers without equal in his generation. At a time where his last movie, LIFE by Anton Corbijn, charming but revisiting story about the friendship between the photographer Dennis Stock and James Dean, Robert Pattinson accepted to meet with us to assert his career and talk about his futur. He is the portray of an actor still in transformation, confident in his choices but nevertheless eaten away by doubts, a free electron who want to fall everywhere the cinema still pulses, from France at Claire Denis’ side to the vibrating Safdie brothers’ New York City. A man of the future.

Inrocks: How did you get involved in the LIFE project?
Rob: Reading the script, I felt like this movie would not be the ordinary biopic, a simple life story where we would tell by the menu James Dean and Dennis Stock’s story. There was something more singular, more intimate in the movie angle. And the fact Anton Corbijn was a part of the project just convinced me. I met him in Los Angeles a few years ago and we instantly got on. I really think he is one of the most talented director of our time.

Inrocks: What does interest you in his cinema?
Rob: his style. There is something with him which is really pictorial and gracious coming from his work in photography. Go from one domain to another is not easy; you often see photographers who crash trying to direct their first movie. But not Anton. He, for his first film, just proved he was a grand director. I have seen CONTROL on big screen at the time and it hit me hard. I was really impressed, to the extent that I could have become a Joy Division fan. An obsessional one at that…

Inrocks: In LIFE, you play the photographer Dennis Stock. What did you know about his and his career?
Rob: not much, but I immediately had a good feeling about this character, something rang in me as soon as I read the script for the first time. I met his son, and then I documented myself about his career, I had access to intimate archives as well as photographs never published. What I was discovering made me passionate. Dennis stock was not a sympathetic guy in reality. He was secretive, opaque, always on his guards, he refused to show his feelings or any really and he could be very abrasive. (He thinks about it a few moments). It is quite exciting for an actor to play this type of ambiguous character, not instantly nice or even readable.

Inrocks: You play Dennis Stock at the beginning of his career, when he was still a young artist ‘groping’, looking for his style and own path. Is it a state you could have identified yourself to?
Rob: of course. Dennis has zero confidence in his skills: he knows he can become famous for his art, that an artist is there inside of him. But at the same time he just denigrates himself all the time, he is doubting himself. What he needs, it is an approval for his work, he he tries to get it from James Dean. As soon as they meet, Dennis is obsessed by the actor, not as a fan, but because he needs his approval. He wants someone to tell him he can be a photographer, that he has the right to express his art. I can understand this feeling. I sometimes need to hear I am not making mistakes, that I am legitimate. The tiniest comments about my work still astonish me and makes me preserve myself.

Inrocks: don’t you think your role in Cosmopolis was the approval you are talking about?
Rob: it was a turning point in my career, evidently. Even then, before I talk about it, it makes me shiver. I made pretty nice things since, but I never found back the sensations I had with COSMOPOLIS. It was the craziest scenario, the most powerful one I had in my hands. It was not just a simple job, you know, but a fricking revival: a new insight on myself. The movie freed me from some complexes I had, and made my image change in the business. Other prestigious directors called me, people I would have never imagined to work with.

Inrocks: I bet you are referring for example to Werner Herzog, who offered you a role in his last movie QUEEN OF THE DESERT (new in France). What memories do you keep of this filming?
Rob: first, I remember the strange audition, really bizarre, a long talk with Werner Herzog about everything but the role itself: his adventure stories, his setbacks with snakes and iguanas… I stayed only eight days on set, but it asserted my impressions he is a passionate guy and completely marginal, out of the frame. What I like about Werner Herzog or David Cronenberg, is that they have a warriors nature: they go on with their new movies like it was the biggest and the strongest of cinema history. (He laughs). They don’t only want to lead exciting or controversies projects. With them, nothing is trivialized. The act of making a film is full an adventure. It gives back faith to the movie by working with these people.

Inrocks: And then there is James Gray, the director you are going to work with for THE LOST CITY OF Z…
Rob: It is a period movie, which will tell the life of an explorer who went to look for a lost city in the Amazon. This movie deals with an obsession leading to madness. James is really good with that. TWO LOVERS, that I consider as one of the most beautiful film ever (in English in the interview), already was an obsession going wrong. I cannot wait to act for him, to see where he can lead me.

Inrocks: you have been ‘knighted’ by numerous prestigious authors since COSMOPOLIS, but something stuck with the large audience: your image is still marked by your beginning in the young adults cinema. Recently David Cronenberg confided in the press you were still underestimated because of the nullify and stupidness of TWILIGHT. What do you think about it?
Rob: (A bit bored by the topic) These are David Cronenberg’s words I cannot judge. Maybe time is needed for some to forget the TWILIGHT era. Waiting for that, I have to preserve myself without asking questions, and just continue choosing my movie with coherency, to just trust my tastes.