Showing posts with label movie: queen of the desert. Show all posts
Showing posts with label movie: queen of the desert. Show all posts

Monday, October 19, 2015

'Queen Of The Desert' Will Have Its US Premiere As One Of The Special Screenings at AFI Fest 2015


Update: The AFI FEST schedule has been revealed and now we know the day and time of the Queen of the Desert screening and US Premiere: November 8 - 8:45pm at the Egyptian Theater.. Check the Queen of The Desert page at the AFI FEST site here.



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AFI FEST has also revealed today its Special Screenings section, which will feature 45 YEARS (DIR Andrew Haigh); ANOMALISA (DIR Charlie Kaufman & Duke Johnson, AFI Class of 2006); CAROL (DIR Todd Haynes); LAST DAYS IN THE DESERT (DIR Rodrigo García); THE LOBSTER (DIR Yorgos Lanthimos); MACBETH (DIR Justin Kurzel); and QUEEN OF THE DESERT (DIR Werner Herzog).

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The 29th edition of AFI FEST will take place November 5–12, 2015, in the heart of Hollywood.

More info about the AFI FEST here.

Source | Via

Tuesday, October 13, 2015

New 'Queen of the Desert' Image

You can follow the 'Queen of the Desert' official Twitter account @QueenDesert2016

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Friday, September 25, 2015

New Rob Interview With The Irish Times

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Once best known as the undead teen Edward in the Twilight series, Robert Pattinson is slowly but surely reinventing himself – from broody cutie-pie to go-to leading man.

Stormont may be in crisis and regional unemployment rates do not make for happy reading, but at least Northern Ireland can boast – albeit temporarily – one Robert Pattinson.

Last month, the former Twilight and Harry Potter star delighted two Co Down newlyweds when he agreed to join their wedding hooley. He also hit Cypress Avenue to mark Van Morrison’s 70th birthday, and has been deemed a most excellent sport when it comes to Belfast-based autograph and selfie hunters.

Even by Pattinson’s own account, the sun shines just a little more intently when he graces the northeast: “It’s been sunny every time I’ve been here,” marvels the heavily bearded young actor. “They tell me it rains. But I haven’t seen it.”

Pattinson has decamped to Ulster with a purpose. Following in the footsteps of Game of Thrones and the incoming Dad’s Army reboot, James Gray’s The Lost City of Z is the latest major production to shoot across various Northern Irish locations, including Methodist College, Strangford Lough and Craigavon House. Not that Pattinson has spent too much time in these stately locations. “I have mainly been on the boat that’s falling apart,” he laughs.

The Lost City of Z charts the exploits of the British explorer Percy Fawcett who, in 1925, disappeared in the Amazon while looking for an ancient lost city. In the subsequent years, as many as 100 explorers and scientists have gone missing while attempting to find evidence of Fawcett’s party.

Monday, September 14, 2015

New Rob Interview with Berliner Morgenpost - Scans + Translation

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BERLINER MORGENPOST: Are you afraid of photographers, Mr. Pattinson?

A young man that seems a bit disheartened, that is the first impression one gets during this interview with Robert Pattinson. There is no reason for the 29 year old to feel like that though, because after the massive success of the Twilight series he managed to establish himself as a serious actor. In Life he is seen as the photographer who shot the legendary pictures of James Dean.

Are you a good photographer?
Halfway decent, although I just had started it during this movie. I got the same camera that Dennis Stock had. The quality of my pictures does depend on the place and light. When I was shooting Queen of the Desert with Werner Herzog in Morocco, I got great pictures very easily, but when I returned to London my pictures came out very dark.

Usually you are the one that is photographed all the time. How well do you deal with that?
I’m struggling with it at the moment. When the first Twilight movie came out, I dealt with it very offensively-minded. That means I was out to present myself in a certain way and as long as you can control that it is good. But it became too much and it slipped out of my control. I had the feeling something was taken from me with the constant photo graphs and I got scared and closed myself off. At the moment I’m in the ‘please don’t take pictures’ phase.

What do you do when you go out and photographers are waiting for you?
I get scared.

Seriously?
No. I understand that I couldn’t let it make me go crazy. I’m tired of putting on a disguise or wear a hat.

Did you ever have a close relationship to a photographer like James Dean did?
Not with a photographer, but when the first Twilight movie came out there were some journalists I got along great with and also hung out with. There was one writer for EW who wrote a pretty cool story about me because we got along great. We went to a bar and got drunk.

Should we do that now?
No, I won’t ever do that again, because now people kind of know me through the many interviews I did and some journalists –no offense to you- try to get me to the point where I say something really awful.

Wednesday, September 9, 2015

Rob on The Cover of Les Inrocks (France) - New Interview and HQ Scans

Translation under the scans

Thanks so much to Verena for sending the HQ scans to us ❤️❤️❤️

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Translation
‘I often need to hear I am legitimate’

They’d end of the Twilight era, his independence desires in Hollywood, his directing desires, his French cinemas envies after the aborted project with Olivier Assayas and before his next film with Claire Denis: Robert Pattinson makes his career assessment.

May 2012: Robert Pattinson steps for the first time on the red stairs of the Cannes Festival, where he accompanied the presentation in official competition the movie COSMOSPOLIS by David Cronenberg. A decisive step in the star’s course, who was leading towards prestigious Indy movies and ended his teens idol image, marked by the unloved TWILIGHT franchise.

Three years later, the transformation seems almost complete: the media hysteria he was surrounded by seem to have calmed down a notch, he went from poster boy to hipster icon, as he follows his radical and sharpened filmography. With David Cronenberg (Maps to the Stars, in an Australian thriller (THE ROVER, by David Michôd), or even in a small part with Werner Herzog (QUEEN OF THE DESERT), he definitely left the mainstream productions and asserted himself as an XXL actor, new embodiment of Indy movies with fire powers without equal in his generation. At a time where his last movie, LIFE by Anton Corbijn, charming but revisiting story about the friendship between the photographer Dennis Stock and James Dean, Robert Pattinson accepted to meet with us to assert his career and talk about his futur. He is the portray of an actor still in transformation, confident in his choices but nevertheless eaten away by doubts, a free electron who want to fall everywhere the cinema still pulses, from France at Claire Denis’ side to the vibrating Safdie brothers’ New York City. A man of the future.

Inrocks: How did you get involved in the LIFE project?
Rob:
Reading the script, I felt like this movie would not be the ordinary biopic, a simple life story where we would tell by the menu James Dean and Dennis Stock’s story. There was something more singular, more intimate in the movie angle. And the fact Anton Corbijn was a part of the project just convinced me. I met him in Los Angeles a few years ago and we instantly got on. I really think he is one of the most talented director of our time.

Inrocks: What does interest you in his cinema?
Rob:
his style. There is something with him which is really pictorial and gracious coming from his work in photography. Go from one domain to another is not easy; you often see photographers who crash trying to direct their first movie. But not Anton. He, for his first film, just proved he was a grand director. I have seen CONTROL on big screen at the time and it hit me hard. I was really impressed, to the extent that I could have become a Joy Division fan. An obsessional one at that…

Inrocks: In LIFE, you play the photographer Dennis Stock. What did you know about his and his career?
Rob:
not much, but I immediately had a good feeling about this character, something rang in me as soon as I read the script for the first time. I met his son, and then I documented myself about his career, I had access to intimate archives as well as photographs never published. What I was discovering made me passionate. Dennis stock was not a sympathetic guy in reality. He was secretive, opaque, always on his guards, he refused to show his feelings or any really and he could be very abrasive. (He thinks about it a few moments). It is quite exciting for an actor to play this type of ambiguous character, not instantly nice or even readable.

Inrocks: You play Dennis Stock at the beginning of his career, when he was still a young artist ‘groping’, looking for his style and own path. Is it a state you could have identified yourself to?
Rob:
of course. Dennis has zero confidence in his skills: he knows he can become famous for his art, that an artist is there inside of him. But at the same time he just denigrates himself all the time, he is doubting himself. What he needs, it is an approval for his work, he he tries to get it from James Dean. As soon as they meet, Dennis is obsessed by the actor, not as a fan, but because he needs his approval. He wants someone to tell him he can be a photographer, that he has the right to express his art. I can understand this feeling. I sometimes need to hear I am not making mistakes, that I am legitimate. The tiniest comments about my work still astonish me and makes me preserve myself.

Inrocks: don’t you think your role in Cosmopolis was the approval you are talking about?
Rob:
it was a turning point in my career, evidently. Even then, before I talk about it, it makes me shiver. I made pretty nice things since, but I never found back the sensations I had with COSMOPOLIS. It was the craziest scenario, the most powerful one I had in my hands. It was not just a simple job, you know, but a fricking revival: a new insight on myself. The movie freed me from some complexes I had, and made my image change in the business. Other prestigious directors called me, people I would have never imagined to work with.

Inrocks: I bet you are referring for example to Werner Herzog, who offered you a role in his last movie QUEEN OF THE DESERT (new in France). What memories do you keep of this filming?
Rob:
first, I remember the strange audition, really bizarre, a long talk with Werner Herzog about everything but the role itself: his adventure stories, his setbacks with snakes and iguanas… I stayed only eight days on set, but it asserted my impressions he is a passionate guy and completely marginal, out of the frame. What I like about Werner Herzog or David Cronenberg, is that they have a warriors nature: they go on with their new movies like it was the biggest and the strongest of cinema history. (He laughs). They don’t only want to lead exciting or controversies projects. With them, nothing is trivialized. The act of making a film is full an adventure. It gives back faith to the movie by working with these people.

Inrocks: And then there is James Gray, the director you are going to work with for THE LOST CITY OF Z…
Rob:
It is a period movie, which will tell the life of an explorer who went to look for a lost city in the Amazon. This movie deals with an obsession leading to madness. James is really good with that. TWO LOVERS, that I consider as one of the most beautiful film ever (in English in the interview), already was an obsession going wrong. I cannot wait to act for him, to see where he can lead me.

Inrocks: you have been ‘knighted’ by numerous prestigious authors since COSMOPOLIS, but something stuck with the large audience: your image is still marked by your beginning in the young adults cinema. Recently David Cronenberg confided in the press you were still underestimated because of the nullify and stupidness of TWILIGHT. What do you think about it?
Rob:
(A bit bored by the topic) These are David Cronenberg’s words I cannot judge. Maybe time is needed for some to forget the TWILIGHT era. Waiting for that, I have to preserve myself without asking questions, and just continue choosing my movie with coherency, to just trust my tastes.

Sunday, August 23, 2015

New/Old Interview of Rob with WAZ-Online (Germany)


Interview:

Mr. Pattinson usually you are hunted by photographers. How does it feel to play a photographer hunting stars in your new movie 'Life'?

I'm playing the young Magnum photographer Dennis Stock, who gets to know James Dean before he became an Icon- no least because of the picture of a moody James Dean in Times Square with a cigarette dangling from his mouth. Stock would have hated it if you called him a papparazzi. He thought of himself as an artist and did everything to be seen as one. That is how I see him.

Okay the times were a little more calm in the 50's. How would you react if someone approached you today and said ‘Hey Rob I want to take a couple of pictures of you’ like Stock did with Dean?

That would be impossible. l would feel like a psychopath would be after me. But it was different back then. There were no cell phones and not amateur photographers, only professionals and they had to find a magazine to publish their pictures. Today the Internet is flooded with cell phone pictures.

How do you deal with the omnipresent cell phone pictures?

A lot of it depends on my mood. lf l’m in a good mood, everything is okay. When l’m not, I do feel bothered. You have to watch out to not get strange and feel persecuted: Then you start to believe that people take pictures of you, who actually have better things to do with their day than do that.

Did you cope well with the media hype of Twilight in your early 20's?

Most of the time I was busy hiding. You are in shock. You don't really understand what is happening. My personal growth was stopped in a way. It was weird: There I was 22 and suddenly I aged 2-3 years. I was working and did a lot of movies during that time. It was madness. My first real break I had after the last Twilight movie.

Is it quieter now? No one recognizes you with your huge beard anyway.

That's true. Now! go to the grocery store without looking around. Fortunately I gained a lot of self-confidence. But l’m still cautious: you don't want drunken pictures of yourself out there.

Meanwhile do you think you were able to shake off the teen heartthrob image?

The real problem was: You are measured according to a weird criteria when you are part of gigantic expensive movies, which are so under pressure to perform. The question always is: How many millions will that movie make? it's ridiculous! You have to watch out not to get stuck in that world.

Wednesday, July 22, 2015

Thursday, July 2, 2015

New 'Queen of the Desert' Trailer and Images from the Official Site

Atlas Movies, the U.S. distributor of Queen of the Desert, just released the film's official site featuring a brand new trailer and images!



 
Images:
 
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Check the source for more new images.

Thursday, June 11, 2015

New Image of Rob in Queen of the Desert and New Poster

The first HQ still of Rob in Queen of the Desert was posted here



And a beautiful new poster - click for bigger


More Queen of the Desert stills at the source | Via

Tuesday, June 9, 2015

First HQ Still of Rob in Queen of the Desert with Nicole Kidman

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click for the full size

Thanks to @NKidman_Italia

Tuesday, May 12, 2015

Queen of the Desert' picked by Atlas Distribution. Planned for release in late September



Director Werner Herzog's Queen of the Desert starring Nicole Kidman and James Franco has been picked up by Atlas Distribution Co., marking the first time the entity will distribute a movie without Atlas Shrugged in the title.

Queen of the Desert tells the true story of Gertrude Bell, played by Kidman, who was a British spy, an archaeologist and more at the turn of last century and ended up playing a major role in establishing the modern state of Iraq. She wielded an enormous amount of power for a woman of her era.

Atlas Distribution was founded by John Aglialoro and Harmon Kaslow to distribute their trio of Atlas Shrugged movies, and they said a year ago they'd keep the company intact, infuse it with $25 million and release more films.

Queen of the Desert is the first in that effort, and it is planned for release in late September on a 1,000 screens.

The Atlas Shrugged movies, of course, were based on Ayn Rand's novel of the same name that is infused with individualistic themes that Kaslow says are present in Queen of the Desert as well.

"Gertrude Bell was a real-life Randian hero," Kaslow said. "This is exactly the type of film we hope to bring to the masses with Atlas Distribution -- an incredible heroine who thought for herself, took orders from no one and had a lasting impact on the world."

The film also stars Robert Pattinson as T.E. Lawrence, a contemporary of Bell's who was immortalized in the 1962 epic film, Lawrence of Arabia. The movie is produced by Nick Raslan and Sierra/Affinity is handling international sales.

source

Friday, April 3, 2015

New/Old 'Queen of the Desert' set pictures of Rob

More BTS Pictures (no Rob) at the source.

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source via | via

Friday, February 13, 2015

New Rob Interview with De Volkskrant

EX TEEN IDOL

Actor Robert Pattinson is used to the Red Carpet, where he, thanks to the Twilight series, was often waylaid by teenage girls. Now he plays a Red Carpet photographer in Anton Corbijn’s LIFE.

One of the first things that director, Anton Corbijn, did after he had cast Robert Pattinson was to put a camera in his hands. In the role of Dennis Stock, photographer of the international photo press bureau Magnum, the camera, he thought, had to become a part of his body. He had another reason: Pattinson had to feel how it is to be behind the camera instead of being in front of it.

The role that Pattinson plays in the new movie of Anton Corbijn, that got a special Gala Screening at Berlin, feels a bit like the world is upside-down. In the movie the world star and teen idol stands in between the photographers at the Red Carpet where in real life the 28 year old actor is waylaid by photographers.

Life is about the complicated relationship between the relatively unknown David Stock and the Hollywood star James Dean. Stock did an iconic photo shoot with Dean in 1955. He is the man behind the world famous picture of James Dean on Times Square in which he walks straight at the camera huddled in a dark coat, cigarette in his mouth. Stock met Dean (played by Dane DeHaan) just before his big break. A photo shoot could help both of their careers, he reasoned.

Pattinson felt an immediate connection with Stock. ‘A tragical figure really’, he says in a hotel room in Berlin. Would it have not been more logical for Anton Corbijn to have him cast as James Dean? If someone knows how it feels to be famous from one day to another it’s him. Because of his role as Edward Cullen in the fantasy film series Twilight his life changed into a chaos of screaming teenage girls and paparazzi.
“Still it cannot be compared”, emphasizes the actor. “People look at James Dean as if he is some kind of spiritual leader: tell us how we should live. They never saw me like that.”

Life is set in the weeks before the premiere of James Dean’s debut movie ‘East of Eden’ (1955). Everybody predicted that he would become world famous. The actor realizes that ‘everything around it’ is just as important as acting and that the studio has him in its claws. It suffocates him. That is something Pattinson doesn’t recognize: “We had no idea that Twilight would become so successful. Only the week before its release we saw a growing interest on the internet.” When the craziness exploded Pattinson found it all very surrealistic. “I had no expectations of what would happen, so I didn’t get disillusioned as Dean did. I see it as a door that opened, I didn’t know what was on the other side, but I was curious and took a look. Later I realized that “oh, this is not going away”. The door closed behind me.

Now three years after the release of the last movie the craziness is diminishing. In the movies he is now, he plays small roles, like the role of T.E. Lawrence of Arabia in ‘Queen of the Desert’ by Werner Herzog or the limo driver in Cronenberg’s ‘Maps to the Stars’. According to Anton Corbijn this is where the connection with his role as Stock is. Because Pattinson became popular at such a young age, he now wants to prove himself, says Anton Corbijn. That he plays a photographer who wants to prove himself is an interesting parallel.

In his career Pattinson makes wayward choices that turn out well. If everything goes well with the financing, he will be seen in movies of cult-director Harmony Korine (Spring Breakers, Trash Humpers) and James Gray (We Own the Night, The Immigrant). Pattinson is a huge huge fan of their work. “They were the first directors I personally approached when I noticed that the scripts I wanted to do where not offered to me, so I decided to contact the directors I admire myself.”

This week the news has been released that Robert Pattinson will be in the western-thriller Brimstone by the Dutch director Martin Koolhoven. "The story is fantastic; I have an idea how I want to do it. It's a dangerous role, but I can't say much about it. And the cameraman is the same one as in in 'Rundkop' and I think that movie is fantastic."

In the meantime Koolhoven is getting crazy of the messages he gets on Twitter from Pattinson fans worldwide. It is hard to imagine all these teenage girls watching a Harmony Korine movie. Pattinson: “I do not know very well what my fans like. I remember that I had to film a scene (????) with Don DeLillo (the 78 year old author) and he was ambushed by 15 year old girls that wanted him to sign their books. Great. If even only one of them read the book, I have the feeling I did some good.

EIGHT DAYS ON A CAMEL

During the Film Festival in Berlin Robert Pattinson can also be seen as T.E. Lawrence in Werner Herzog’s ‘Queen of the Desert’. A small, but challenging role: with the same role in ‘Lawrence of Arabia’ the actor Peter o’ Toole wrote movie history. During the press screening there were laughs when he first appeared on the screen with the famous keffiyeh on his head. "Eight days on a camel that is about the only thing I remember. If the role would have been bigger, I would not have done it. Werner Herzog made T.E. Lawrence into a funny person. Also I do not look like the real T.E. Lawrence at all."


IMPORTANT NOTE: When in a personal mail Floortje Smith (reporter) is asked about some details, she replies: “He is very cute and nice. Good in Life as well. I’m very curious of what he is going to do next.”
She listened to the interview tape again and said: “He said that you never know with small movies you can only be sure when you are on set, but he really really wants to do these movies.” About the Korine project: “That is apparently happening too, but I mean… people… different cast and the budget suddenly changes and all that stuff. But I love the movie. It is great and my part that is completely insane as well.”

Scan + Translation