Rob on The Cover of Les Inrocks (France) - New Interview and HQ Scans

Translation under the scans

Thanks so much to Verena for sending the HQ scans to us ❤️❤️❤️



Translation

‘I often need to hear I am legitimate’

They’d end of the Twilight era, his independence desires in Hollywood, his directing desires, his French cinemas envies after the aborted project with Olivier Assayas and before his next film with Claire Denis: Robert Pattinson makes his career assessment.

May 2012: Robert Pattinson steps for the first time on the red stairs of the Cannes Festival, where he accompanied the presentation in official competition the movie COSMOSPOLIS by David Cronenberg. A decisive step in the star’s course, who was leading towards prestigious Indy movies and ended his teens idol image, marked by the unloved TWILIGHT franchise.

Three years later, the transformation seems almost complete: the media hysteria he was surrounded by seem to have calmed down a notch, he went from poster boy to hipster icon, as he follows his radical and sharpened filmography. With David Cronenberg (Maps to the Stars, in an Australian thriller (THE ROVER, by David Michôd), or even in a small part with Werner Herzog (QUEEN OF THE DESERT), he definitely left the mainstream productions and asserted himself as an XXL actor, new embodiment of Indy movies with fire powers without equal in his generation. At a time where his last movie, LIFE by Anton Corbijn, charming but revisiting story about the friendship between the photographer Dennis Stock and James Dean, Robert Pattinson accepted to meet with us to assert his career and talk about his futur. He is the portray of an actor still in transformation, confident in his choices but nevertheless eaten away by doubts, a free electron who want to fall everywhere the cinema still pulses, from France at Claire Denis’ side to the vibrating Safdie brothers’ New York City. A man of the future.

Inrocks: How did you get involved in the LIFE project?
Rob: Reading the script, I felt like this movie would not be the ordinary biopic, a simple life story where we would tell by the menu James Dean and Dennis Stock’s story. There was something more singular, more intimate in the movie angle. And the fact Anton Corbijn was a part of the project just convinced me. I met him in Los Angeles a few years ago and we instantly got on. I really think he is one of the most talented director of our time.

Inrocks: What does interest you in his cinema?
Rob: his style. There is something with him which is really pictorial and gracious coming from his work in photography. Go from one domain to another is not easy; you often see photographers who crash trying to direct their first movie. But not Anton. He, for his first film, just proved he was a grand director. I have seen CONTROL on big screen at the time and it hit me hard. I was really impressed, to the extent that I could have become a Joy Division fan. An obsessional one at that…

Inrocks: In LIFE, you play the photographer Dennis Stock. What did you know about his and his career?
Rob: not much, but I immediately had a good feeling about this character, something rang in me as soon as I read the script for the first time. I met his son, and then I documented myself about his career, I had access to intimate archives as well as photographs never published. What I was discovering made me passionate. Dennis stock was not a sympathetic guy in reality. He was secretive, opaque, always on his guards, he refused to show his feelings or any really and he could be very abrasive. (He thinks about it a few moments). It is quite exciting for an actor to play this type of ambiguous character, not instantly nice or even readable.

Inrocks: You play Dennis Stock at the beginning of his career, when he was still a young artist ‘groping’, looking for his style and own path. Is it a state you could have identified yourself to?
Rob: of course. Dennis has zero confidence in his skills: he knows he can become famous for his art, that an artist is there inside of him. But at the same time he just denigrates himself all the time, he is doubting himself. What he needs, it is an approval for his work, he he tries to get it from James Dean. As soon as they meet, Dennis is obsessed by the actor, not as a fan, but because he needs his approval. He wants someone to tell him he can be a photographer, that he has the right to express his art. I can understand this feeling. I sometimes need to hear I am not making mistakes, that I am legitimate. The tiniest comments about my work still astonish me and makes me preserve myself.

Inrocks: don’t you think your role in Cosmopolis was the approval you are talking about?
Rob: it was a turning point in my career, evidently. Even then, before I talk about it, it makes me shiver. I made pretty nice things since, but I never found back the sensations I had with COSMOPOLIS. It was the craziest scenario, the most powerful one I had in my hands. It was not just a simple job, you know, but a fricking revival: a new insight on myself. The movie freed me from some complexes I had, and made my image change in the business. Other prestigious directors called me, people I would have never imagined to work with.

Inrocks: I bet you are referring for example to Werner Herzog, who offered you a role in his last movie QUEEN OF THE DESERT (new in France). What memories do you keep of this filming?
Rob: first, I remember the strange audition, really bizarre, a long talk with Werner Herzog about everything but the role itself: his adventure stories, his setbacks with snakes and iguanas… I stayed only eight days on set, but it asserted my impressions he is a passionate guy and completely marginal, out of the frame. What I like about Werner Herzog or David Cronenberg, is that they have a warriors nature: they go on with their new movies like it was the biggest and the strongest of cinema history. (He laughs). They don’t only want to lead exciting or controversies projects. With them, nothing is trivialized. The act of making a film is full an adventure. It gives back faith to the movie by working with these people.

Inrocks: And then there is James Gray, the director you are going to work with for THE LOST CITY OF Z…
Rob: It is a period movie, which will tell the life of an explorer who went to look for a lost city in the Amazon. This movie deals with an obsession leading to madness. James is really good with that. TWO LOVERS, that I consider as one of the most beautiful film ever (in English in the interview), already was an obsession going wrong. I cannot wait to act for him, to see where he can lead me.

Inrocks: you have been ‘knighted’ by numerous prestigious authors since COSMOPOLIS, but something stuck with the large audience: your image is still marked by your beginning in the young adults cinema. Recently David Cronenberg confided in the press you were still underestimated because of the nullify and stupidness of TWILIGHT. What do you think about it?
Rob: (A bit bored by the topic) These are David Cronenberg’s words I cannot judge. Maybe time is needed for some to forget the TWILIGHT era. Waiting for that, I have to preserve myself without asking questions, and just continue choosing my movie with coherency, to just trust my tastes.

New/Old Picture of Rob (2014)

From 2014 - during Idol's Eye pre-production


Source | Via

New Rob Interview in FLARE Magazine - MTTS TIFF Promo

FLARE Magazine talked to Rob during TIFF back in September. Here's the interview:


As always, thanks to Cynthia for the scans :)

'Idol’s Eye' Has Been Cancelled

From Deadline:

Benaroya Pictures has shut down the Robert De Niro – Robert Pattinson action-thriller Idol’s Eye just as filming was set to commence in Toronto. “Due to the criteria for financing not being met by producers, Benaroya Pictures has formally decided to discontinue financing the motion picture titled IDOL’S EYE,” the production company said in a statement today. “The company cannot continue to put its investment at risk and has been forced to stop cash flowing the production. This is something all of us wanted to avoid, but due to the producers missing a number of financing criteria deadlines that were mutually established by all parties, we were left with no other options. Benaroya Pictures plans to retain the rights of the film and move forward with production on the picture after we generate a revised script and assemble a new filmmaking team.”

New Interview of Rob with We Got This Covered - MTTS TIFF Promo

Youtube or watch here at the source

New Fan Pictures of Rob in Chicago - Oct 10th

Rob was at 115 Bourbon Street in Chicago.

The new mustache? Probably for his character in Idol's Eye - he'll play John Mendell (picture here). Shotting starts in less than two weeks.


"So today I served Robert Patterson at my job. He's really chill."


  "I high fived Robert Pattinson tonight! Didn't know it would be so exciting til it happened lol #robertpattinson #rpatts #fangirl #bourbonstreet #whyisheinmerrionettepark #crazy"

New Rob Interview With eTalk From MTTS TIFF Premiere

Thanks to @Korita05

Olivier Assayas Talks About Meeting Rob and Financing 'Idol's Eye'

Your next movie will co-star Robert Pattinson. Do you feel similarly about him?
I met him in London at a very early stage before I shot "Sils Maria" while I was still working on the screenplay for my next film, but I knew I wanted him for the leading role. We had a long conversation in London about the project. That's also one of the first times I met Kristen. She was around.

Does working with these younger, well-known U.S. actors make it easier for you to get your films done?
No. You know, a movie like "Sils Maria" functions pretty much the same way as my other movies in terms of how I build it. I have a similar budget. It's a small film. We shot in 32 days, six weeks.

(...)

And for the next one? (if financing of Idol's Eye will come from ARTE)
No. It's a different system of financing, American financing. That'll be the first time for me.

How's it going so far?
Honestly, I'm a little nervous about it at this stage. You have to deal with business types — movie business types: lawyers, bankers, accountants, all these kinds of other types you just don't want to spend five minutes with. The thing is, I make movies because I can choose the people who I spend time with. I don't have to deal with the bullshit of everyday job stuff. So I don't want to end up making movies with people I'm not interested in. People I'm bored with who don't share my values and so forth. So I'm just trying to structure things in ways that I have to deal the producer of the film and that's it. I don't want to have conversations with anyone else.

Read the full interview at the source | Via

New Rob Interview with The Guardian

There is a moment in The Rover, David Michôd’s futuristic western set in the Australian outback, in which Robert Pattinson’s character sits in the cab of a truck at night listening to the radio play Keri Hilson’s hit Pretty Girl Rock. The night is black and the radio tinny, and softly Pattinson begins to sing along. “Don’t hate me ’cause I’m beautiful,” he sings, his voice high and whiny, the lyrics muffled by lips that cling to dirty teeth. “Don’t hate me ‘cause I’m beautiful.”

It’s a pivotal moment for Rey, the slow, needy, uncertain young man Pattinson plays, but it also feels like something of a reference point in the career of the actor himself; a small reminder for the audience of just how far he has run from his days as the pretty-boy Hollywood pin-up.

The Pattinson who walks into our interview this morning seems to play a similar trick, pointing out, two steps into the room, that the hotel carpet “looks like a Magic Eye picture”. And indeed it does – a bold, blurry pattern in stripes of cream and black. But Pattinson’s remark also serves to shifts attention neatly away from himself, as if he is weary of being the centre of it, the face that everyone stares at.

Pattinson was 22 when he was first cast as Edward Cullen in the Twilight Saga, the five-part movie adaptation of Stephanie Meyer’s best-selling teen vampire novels. Overnight he became one of Hollywood’s most adored young stars, pursued wherever he went by paparazzi and screaming fans. He was named “the most handsome man in the world” by Vanity Fair, and one of the 100 Most Influential People by Time. Amid all the fuss and the madness he embarked upon a tortuous relationship with his co-star, Kristen Stewart, that meant the young couple were rarely out of the gossip pages.

He is 28 now. The final Twilight instalment done, the Stewart romance finished, he is finally cutting a dash as a serious actor.

Early leading-man roles (Remember Me; Water for Elephants) have given way to more challenging characters – he earned impressive reviews for his portrayal of a young billionaire in David Cronenberg’s adaptation of Don DeLillo’s Cosmopolis, and will soon be seen in another Cronenberg project, Maps to the Stars – as well as starring alongside Nicole Kidman in the Gertrude Bell biopic Queen of the Desert.

But for now he is rooted in Michôd’s The Rover, a brilliantly dark story of a loner (Guy Pearce) in pursuit of a gang of ramshackle crooks who have stolen his car. En route, he acquires Rey (Pattinson), the brother of one of the thieves, whom they had left for dead at the scene of a botched robbery, and together they chug through the Australian desert, now a glowering, lawless land 10 years after a global economic collapse.

“I just thought it was strikingly original,” Pattinson says of first reading Michôd’s script. “Even in the way it looked on the page.

“David’s got a very specific way of writing dialogue. It’s very functional, the writing’s very harsh, it’s savage, but it didn’t feel just stylised writing – it was emotional as well. It just seemed so natural compared to something like No Country for Old Men. I always felt that was more like film writing. And this didn’t really feel like a film script – it felt like a dream.”

2 New Interviews (Cosas and Express) + 2 New Pictures from The Rover LA Press Junket

Looks like these interviews are from the same roundtable interview as The Manila Bulletin, Telegraph UK, The Philippine Dailyand Star Online, but with some new quotes.

We used Google translate in both interviews in this post and the answers that had almost the same quote as one posted before, we chose the quote from one of the interviews posted in English and not translated. The others that have (Google translate) are the ones that had something new in the answer.

And 2 new pictures from the press junket




From Cosas.com

- What have you learned since the end of the saga "Twilight"?
- It feels like it’s longer, to be honest… it’s all just been a gradual progression. I think, as you get older, like every movie you do you get a little bit more confident… (Manila Bulletin)

- And how can you face the madness of the public against your person?
- I’m curious how people receive the new stuff I’m doing because it’s kind of, you know, I do quite abstract films. So I am curious how people who like ‘Twilight’ will come to see things like ‘The Rover.’ Hopefully, they’ll enjoy it.(Manila Bulletin)

- Why did you choose a genre so different?
- 50 percent is about being able to work with directors I admire. I think about that a lot but I find it more comfortable to do small roles if I am choosing something for its director. But if you are doing a lead, I try to do something, which I think will precipitate into my normal life. I want to do something which I feel (is) totally impossible for me to do. I think it will make me a bigger person in my real life afterwards. I kind of try to do that. (Manila Bulletin)

- Where do you live now?
- I spent two months in England last year which is the longest I’ve spent there in six years, which was nice, but I always go back to England at Christmas time and get so depressed that I’m glad to get back to Los Angeles. I’ve really grown to like L.A and I guess it’s my home at the moment. (Telegraph)

- You're not living in your mansion?
- I sold it, and then I realized that I had become homeless (laughs). For 6 months, I have lived in the homes of friends that I go with my three air mattresses. I sold my house, because I'm too young to be dealing with plumbing problems and stuff like that (laughs). I could live in a cell if it had a window. (Google translate)

Rob's Interview with Philippine Daily Inquirer + New Picture

LOS ANGELES—“Don’t hate me ’cause I’m beautiful/ Don’t hate me ’cause I’m beautiful/ Now do the pretty girl rock, rock, rock.” Robert Pattinson singing along to Keri Hilson’s “Pretty Girl Rock” playing on the radio in his car, before a violent moment, is a rare humorous relief in David Michod’s “The Rover.” It prompted a question in a recent interview at LA’s Four Seasons on whether Robert plans to record an album anytime soon.

“I’m always trying to figure out how… but it’s quite difficult,” replied the actor, looking boyish with his short haircut, dark pants, black jacket over a brown shirt and white tee. Laughing, the 28-year-old Robert said, “I want to do it before I’m 30 because I think it gets slightly embarrassing after [that].”

Robert revealed that, originally, he was to sing along to The Pussycat Dolls’ “Don’t Cha.” (That would have been a hoot, too.) “But David e-mailed me that Keri Hilson song,” he said. “I thought it was a new song. I didn’t realize it had like 500 million (actually 48 million plus) views on YouTube.”

He explained, “Initially, David was saying that he wanted me to sing it like it was my favorite song—loudly in the car. Luckily, it didn’t end up that way. That would have been a bit too random. But the song is perfect in the movie.”

In “The Rover’s” post-apocalyptic world set in Australia’s Outback, Robert’s Rey and Guy Pearce’s Eric make an unlikely pair hunting for a stolen car. “It’s strange because people are interpreting the movie as being really bleak,” countered the London native. “But [I’m playing a] character who has no memory of what happened before. He’s relatively at ease. It was a really fun part. I wasn’t thinking about it [as] bleak.”

In that context, Robert expressed an optimistic view of humankind despite the film’s desolate, barren landscape that doesn’t seem to offer any hope. “I think humanity [stays] pretty much the same, generation after generation,” the erstwhile “Twilight” star declared. “Everybody thinks the world is going to sh*t all the time.”

Laughing again, Robert stressed, “It ends up being all right. I think that, essentially, humans are pretty good.”

With his character seemingly in danger of being killed any minute, Robert was asked what he would do if he had only a day to live. “I guess I should say, ‘I would hang out with all the people I love.’ But probably, I [would] just want to go crazy.”

Like, do what crazy stuff? “God, I don’t know,” he said with a grin. “I might like to just walk around the Times Square naked or something.”

Rob's Interview with The Star Online

Welcome back Robert Pattinson.

After the end of the Twilight saga, in which Pattinson played the beloved vampire Edward Cullen, the actor seemed lost.

What to do next?

His financial manager believed buying a US$6mil (RM19.4mil) mansion in Beverly Hills would be a wise investment. After all, he had all the money he could ever want ...

Meanwhile acting offers poured in, but the choices he made were none too wise. Then there was that split from the love of his life Kristen Stewart. How could she have cheated on him with her married director (Rupert Sanders who helmed Snow White And The Hunstman)!

But that was then.

Now, suddenly Pattinson’s career is in overdrive. He stars in two films that were the talk of the recent Cannes Film Festival: David Cronenberg’s corrosive Maps Of The Stars and David Michod’s dystopian The Rover.

But that’s the least of his life changes.

No longer cloistered in a four-bedroom mansion, Pattinson now lives a solitary life. He still keeps in touch with his Twilight co-stars, such as Kellan Lutz, with whom he loses money playing poker.

But he’s the first to concede: money doesn’t consume him.

No longer a homeowner, he now lives in a rental (but still in a posh gated community in Beverly Hills.). He sleeps on an inflatable mattress moving from room to room, no furniture to speak of. He’s mislaid much of his possessions including his wardrobe and his DVD collection.

At a recent press conference in Beverly Hills for The Rover, he’s as unassuming as he always was.

I remember once asking him about being fired on opening night at London‘s prestigious Royal Court Theatre.

Instead of showing mild embarrassment he responded: “It was the best thing that could have happened to me and a good lesson.”

After a small but significant role in Harry Potter And The Goblet Of Fire, flew to Los Angeles with his agent’s blessing. Things didn’t go well at auditions, even the one for Twilight, but author Stephenie Meyer saw something there.

At 21 he might be a little old for the part, she thought, but she gave him just the advice he needed.

“Shave twice,” Meyer told the heavily bearded young man, and of course the rest is history

You shot The Rover in Australia. How’s it like roughing it out for a change?
I liked Australia. I had only been to Sydney just to do press before. Working in the Outback was a totally different world, but I loved it out there. It was beautiful, kind of serene being able to see the horizon. There’s just absolutely nothing for miles, hundreds of miles. Not only were there no people trying to find you, there was no one there at all so it was much easier to concentrate on your performance and not have to worry about someone trying to sneak up on you. I found it incredibly peaceful and relaxing.

Rob's Interview with MTV

ETA: Added the full interview Interview in 12 videos - Under the cut.
ETA2: Added the full interview on Youtube (at the top of the post). And it the bottom of the post there are two Youtube videos - part of the interview - in HD

Full Interview on Youtube



MTV Player

Movie Trailers - Celebrity News

New Rob and David Michôd Interview with Vogue Australia

Youtube or original player

New Interview Of Rob With Brisbane Times

The vampire is dead. Or at least by now he should be. With The Rover, the new film from Animal Kingdom director David Michod, Robert Pattinson has finally shaken off the Twilight tag that threatened to define him forever as an actor.

In The Rover, he has an accent from America's deep south, bad teeth and a strange emotional dependency on others. It’s a role that has attracted some very positive reviews: Variety critic Scott Foundas talked about ‘‘a career-redefining performance ... that reveals untold depths of sensitivity and feeling’’.

Pattinson is a relaxed interview subject. He has a hearty laugh, and the air of someone who hasn’t worked out all his lines in advance, but he’s also ready to explain and explore what interests him. He’s serious about his work, and keen to make movies with people he admires and respects.

He’s aware that he’s getting favourable reviews for The Rover. He’s happy about this, of course, he says, ‘‘because I really love the movie’’. But when it comes to his performance, he admits, ‘‘I always think of it as a work in progress, and it just gets frustrating, thinking about things you could fix.’’

At the same time, when he read the script, it was one of those rare occasions when he connected immediately with a role.‘‘Maybe because it was so loose - you could really do almost anything with the character. You could project anything onto it. But I don’t know, I could hear the voice in my head almost immediately, I could feel a walk ... and that’s only happened to me three or four times since I’ve started acting.’’

Rob's Interview with Direct Matin (France)

ETA: A Nous Paris (you can check the scans at Robert Pattinson France) has an interview with Rob that is the same of Direct Matin interview with a few differences (probably because of the translation). They have an extra question about Life and James Dean. Here's the translation:

You're not the one who plays James Dean?
No, it's Dane Dehaan but it's funny because there's similarities to my path, with the fact that everything happened in 2 months, between the moment where he was no one and this incredible success that was dropped on him. The famous picture where we see him smoke at Times Square, it was the day before the premiere of East of Eden. I was exactly at the same place the day before the Twilight premiere.

Translation of the Direct Matin interview

Teen icon at the beginning of his career, Robert Pattinson definitely settled himself in the Hollywood landscape. In 'The Rover' by David Michôd, he plays a simple minded guy forced to work with his enemy to find his brother in the Australian desert. It's a controlled shift the British actor admits it was made possible thanks to his meeting with David Cronenberg.

Was it the world of 'The Rover' or its character that sparked your interest first in the project?
I found the script really interesting but I had a really strong connection first with my character, especially the way he express himself. I had never seen a character like this before.

Was it difficult to play someone who's simple minded?
Not at all, it came naturally (laughs). I approached him like a beaten up street dog that would keep on going back to his master for a little bit of affection.

The film imagines a ruined world by men's madness. Do you think this is where we're heading with our society?
This could happen but I'm more optimistic than that. I have more faith in humanity. In 'The Rover', men aren't completely lost, they all didn't become mad. Some still have hope and try to revive the Earth. But this economic collapse is totally conceivable.

You play, one after the other, in two movies 'against the system': 'Maps to the Stars' and 'The Rover', are you engaged in politically?
I'm more or less liberal.It's hard to be an actor and not be liberal by the way. Maybe we should be more worried about the oceans but I don't take politics very seriously. When you see that most Western countries are under the leadership of a handful of multinational companies, it seems like voting is some kind of a joke.

From teens' sex symbol to an actor seeked by the biggest directors, what was the secret to your career change?
It took some time. It's been 4-5 years that I've tried to create priviledged relationships with directors whose work I've admired and it appeared that things settled at the same time. 'Cosmopolis' changed everything. Ever since my meeting with David Cronenberg, my career took a new turn.

You were in Cannes with two movies: 'The Rover' and 'Maps to the Stars' by David Cronenberg.
It's one of the most exhilarating places to screen a movie. There's an incredible energy that dominates over there. I like doing press at Cannes. The journalists are actually interested in the movies and don't ask you questions like 'What's your favorite food?' In France, journalists love the cinema.

You just finished filming Werner Herzog's movie 'Queen of the Desert' about the spy, Gertrude Bell. Who do you play in it?
I play the young Lawrence of Arabia. He was a close friend of Gertrude Bell during WWI.

You also play the photographer, Dennis Stock in 'Life' by Anton Corbijn.
We just got done shooting. I saw the trailer the other day. I play this guy who photographed James Dean right before he became famous. James was unknown at that time.

What else do you have planned?
In November, I'm working with Olivier Assayas in a movie called 'Idol's Eye'. It's a gangster movie on the true story of a group of thieves who robbed a pawnbroker's shop that belonged to the mafia. It takes place in the 1970s. I met Olivier Assayas two and a half years ago but the project only came to be a few months ago.

Source

New Interview of Rob in Hello Magazine

click to view full size

Transcript

Do you like the pressure of Cannes?

Definitely. It’s a different energy and not like a normal premiere, where it’s just friends of the studio or whatever. There’s a very real chance people are going to be vocal about if they like it or not. It’s exciting. I think people are more interested and people talk about the movies afterwards – they’re not just going to the screening so they can go to the party afterwards; they actually want to see it.

In The Rover, your character Rey learns how to shoot. Are you comfortable using guns?
Not really, I’m not that big of a fan. I just think it’s weird people having guns, it’s kind of silly. [Laughs] I mean, I think people should just get rid of them altogether.

How do you feel about violence in films?
I’ve never really liked films that have reveled in violence. I just think it’s kind of gross. I don’t know – I don’t want to see somebody being tortured.

Robert De Niro Joins Idol's Eye - Production Set To Start in October

From Deadline

The plot of director Olivier Assayas’ next pic is being kept under wraps, but it’s described as a sophisticated heist action-thriller. Robert De Niro has joined the cast of Idol’s Eye alongside Robert Pattinson. Benaroya Pictures has come aboard to finance the project, which is expected to start production in October in Chicago and Toronto. Charles Gillibert developed and produced Idol’s Eye with CG Cinema, Bluegrass Films’ Scott Stuber, Film 360’s Scott Lambert, Alexandra Milchan and Michael Benaroya. Ben Sachs is executive producing.

The Wrap, Variety, The Hollywood Reporter and The Playlist also reported this.

New Rob Interview with Scoop With Raya

Source Via

Olivier Assays Mentions Idol's Eye and Rob in Interview with Allocine

Cannes 2014

Thanks to Pattinson Art for the translation:

Olivier Assayas: My next film, I will shoot it in the fall, in Chicago, it's a genre film, this is a story of Mafia and burglars, it takes place in the late 70s and there is an internationnal casting.

Allociné: And there's Robert Pattinson, it's sure?

Olivier Assayas: Yes yes yes

Allociné: And it has to do with Kristen Stewart or is it coincidence?

Olivier Assayas: Oh no it is blind chance, it is blind chance.

Source